Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Henri-Nicolas Van Gorp
Nina chantant la romance

ID: 91401

Henri-Nicolas Van Gorp Nina chantant la romance
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Henri-Nicolas Van Gorp Nina chantant la romance


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Henri-Nicolas Van Gorp

painted Nina chantant la romance in   Related Paintings of Henri-Nicolas Van Gorp :. | Marriage Portrait of a Husband and Wife of the Lossy de Warine Family, oil on panel painting by Gerard Donck | pardon of the newfoundlanders | Tiago Maior | cafe terrace at the Place you forum in Arles in night | Christ in the House of Martha and Mary |
Related Artists:
Donatello
Italian Early Renaissance Sculptor, 1386-1466,Italian sculptor. He was the most imaginative and versatile Florentine sculptor of the early Renaissance, famous for his rendering of human character and for his dramatic narratives. He achieved these ends by studying ancient Roman sculpture and amalgamating its ideas with an acute and sympathetic observation of everyday life. Together with Alberti, Brunelleschi, Masaccio and Uccello, Donatello created the Italian Renaissance style, which he introduced to Rome, Siena and Padua at various stages of his career. He was long-lived and prolific: between 1401 and 1461 there are 400 documentary references to him, some for nearly every year.
Thomas Jones
Thomas Jones (26 September 1742 - 29 April 1803) was a British landscape painter. He was a pupil of Richard Wilson and was best known in his lifetime as a painter of Welsh and Italian landscapes in the style of his master. However, Jones's reputation grew in the 20th century when more unconventional works by him, ones not been intended for public consumption, came to light. Most notable among these is a series of views of Naples which he painted from 1782 to 1783. By breaking with the conventions of classical landscape painting in favour of direct observation, they look forward to the work of Camille Corot and the Barbizon School in the 19th century. His autobiography, Memoirs of Thomas Jones of Penkerrig, went unpublished until 1951 but is now recognised as a major work of commentary on the 18th-century art world.
Bamboccio
Haarlem 1592/95-1642






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